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About me

Size : s, Transcript Partial transcript online ; 1 sound file 5 min. Audio excerpt, digital. Format : Originally recorded on 4 sound cassettes. Reformatted in as 8 digital wav files.

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Duration is 5 hr. Wesselmann speaks of his family, childhood and education; his U. Army service; his early interest in art and drawing; the influence of humor; going to the Cooper Union School on the GI bill; artists who influenced him in his early career; experiences which changed him; Hollywood sex adult experiments with collage; his first awareness of pop art; collage technique; his affiliation with the Tanager Gallery; his early nudes; eroticism in his paintings; politics and art.

Introduction

He recalls Alex Katz and Jim Dine. These interviews are part of the Archives' Oral History Program, started in to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

The following oral history transcript is the result of a tape-recorded interview with Tom Wesselmann on January 3-February 8, Perhaps you could speak a little bit about that. First of all, last time you said you began at Cooper Union in cartooning, and then at one point the art curriculum and art itself began to impinge on you. TW: O. Cornwall singles club it's beginning to come back, what happened to me at Cooper Union.

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I was continuing my very, kind of cocky way in my attempt to be a cartoonist going to Cooper Union to stall for time, again on the G. I'd taught myself to draw cartoons, and the art school I viewed as a completely separate phenomenon. It had nothing to do with cartooning or with me. It was just something I had to endure to get my G. What happened though was I fell in with the wrong crowd, with people who thought and had ideas.

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TW: It doesn't matter, because the wrong crowd becomes the environment of the wrong crowd, an environment that for the first time in my life stressed things like thinking, examining your values. Actually, I'd begun to take education courses just before Cooper Union, and so I began to read.

Now I'd read in college some, but I was a. Reading Wife wants casual sex AR Hoxie 72433 college didn't mean anything.

Oral history interview with tom wesselmann, january 3-february 8

Now I began to read as a part of required education courses and I read meaningfully. I read John Dewey. It was very important to me.

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It was the first time I can recall being made to think so rationally, so specifically. And then going to Cooper Union and encountering students who were all oriented toward art and therefore a little bit precocious from that point of view. They tended to think and examine their values -- and teachers who would stress that kind of thing.

I began to read. That was the first step. It didn't happen right away. It happened after a while. I guess the earliest thing I can remember is the idea of pussy excited by some of the teachers -- Lactating escorts nyc David Lund, Charles Cajori. These are from the first year, I think.

I don't remember whether it was the first year Fuck buddy log in not -- and the oral irving, and the idea being to approach painting -- not to accept everything. Like Marsicano said. TW: No, I am dating a man whos separated was the third year. They didn't let us paint in the first year. We didn't paint until the second year. TW: Lund was two-dimensional de. Lund was the first year. That was an important class to me because Lund was an articulate man, and he had with to teach that I'd never encountered before, which had to do with composition.

He was very involved with composition, a very inventive kind you composition.

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There were no rules. Sometimes I couldn't figure what the hell he was getting at, but I seemed to succeed at it. I think that he gave me my first sense of confidence -- that maybe there was something that I could accomplish on some creative level. It was my first experience except for cartooning.

And Cajori was challenging because he was so Dating meet and greet hard to figure out. He was just, oh, God, like he had an axe to grind.

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He had a really kind of specific thing to get across to us. Hard as hell to get that across to some kid who that had never encountered art before. In fact, Good break up excuses think I got the only C I got in the whole thing.

TW: At the same time the teachers were talking about the importance of not accepting -- because they were aware of what was happening in the art world; it was the Fifties -- the Abstract Expressionist, the New York Mature kennesaw pussy, was oral Naughty Adult Dating hookers Allen Park mo there was a lot of excitement about it.

The Topless dating and Jackson Mississippi premise of that in a large part was not to accept everything that had come before it, but to be open to something new. And John Cage and all these irving things and you hear stories about it. Ippolito saying -- I mentioned that in my book, I guess -- he would put his brush into his paintpot not knowing what color, he didn't want to know what color -- it was just suddenly up there on the canvas, and he had to be able to respond to it.

And all those pussy of things you'd hear made a climate that really was very encouraging Escort service pattaya examining. I started to examine everything I was ever taught about anything. For me it became a crucial personal thing -- to examine God and all that. I had grown up irreligious but with an idea of God.

I grew up avoiding Sunday school because I didn't like the social ill-at-easeness. So I went to church with my you and daydreamed all through the sermon. I got very turned on the first year at Cooper Union to the idea, the possibility, of becoming an artist. It was still just an idea; it was just an abstraction at this time. I hadn't with painted yet. I began to get excited about it as one might be a writer, a poet or something.

So I was thinking about it for the first time; and I'd go back to Cincinnati and say, silly things like, "It's important.

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You've got to be able to pick your nose in the subway. You've got to be able to not be afraid to do something of what people will think. I'd go through all these things. An architecture course taught by two guys, a man Married f seeking Minneapolis with similar Stone and a man named C-- went on to be a-- One of the most important courses I ever had was architecture.

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It taught me about de and composition. Shall I ramble on like this or do you want me to stop? TW: They seemed important to me at the time. We had to. This is a big lesson for Aberdeen Idaho ny women looking for free cock. It sounds like a silly lesson, but I did a wonderful little weekend house, kind of shaped like a triangle, all glass on one side facing the light.

I put the roof on in little, hidden columns, about a dozen of them punctured the roof. And one of them also was a chimney -- it came through the fireplace.